Last Saturday, October 18, the Andalusian town of Sanlúcar de Barrameda hosted one of the most anticipated social events of the autumn. At the church of Nuestra Señora de la Caridad, Alberto Herrera, son of renowned journalists Carlos Herrera and Mariló Montero, married Blanca Llandres Parejo, niece of the well-known performer José Manuel Soto. The celebration, held in a warm and somewhat private setting, brought together close family, friends, and prominent figures from Andalusian society. Among the guests was Rocío Crusset, the groom’s sister, who contributed to creating the wedding dress.
In this constellation of guests, one of the brightest figures was Lourdes Montes. The designer from Seville, who is the bride’s cousin, showcased impeccable style. For the ceremony, she chose a midi dress in a rich mustard shade—an ideal choice for the autumn season. The outfit, by Sandra Rosa, was crafted from guipure lace and soft crepe, creating a refined texture. The design featured a round neckline, with accentuated shoulders subtly referencing 1980s fashion, giving the silhouette both structure and elegance. A lightweight, bias-cut skirt added movement to her look as she walked. Lourdes completed her ensemble with simple black heeled sandals and a matching clutch. She opted to wear her hair down and went for natural makeup.
After the wedding ceremony at one of Sanlúcar’s iconic churches, guests moved to the nearby estate Finca Marbella, owned by journalist Teresa de la Cierva, where a banquet and festive program awaited them. This venue, renowned for its picturesque gardens and fairy-tale atmosphere, provided a perfect backdrop for toasts, music, and heartfelt conversations.
The event was made especially touching by the fact that the bride, Blanca Llandres, is expecting her first child. Her bridal gown, created with the participation of Rocío Crusset, became one of the main topics of discussion, along with the relaxed and joyful atmosphere that filled the celebration. The groom stayed true to classic style, choosing a suit from Tomás Laso-Argos. The bride caused a sensation when she appeared on the arm of her father in a gown by Nicolás Montenegro. The Empire-style design, featuring micro-draping and a majestic train, was complemented by a bouquet in deep purple and burgundy hues.
Lourdes Montes attended the wedding accompanied by her husband, Francisco Rivera, who, however, tried to stay out of the spotlight and was rarely captured by photographers. For the Sevillian beauty herself, this event marked a sort of return to active social life. After the birth of their third child—which the couple had waited five years for—she entered a new stage in her life. She has admitted that the journey was not easy, and the arrival of the baby was a pleasant surprise, bringing her renewed strength and energy. Little by little, Lourdes is returning to her usual rhythm, juggling work projects and personal celebrations. Not long ago, she was spotted at a private party in Marrakech, where the entire Seville elite had gathered.
Among the other distinguished guests were the groom’s parents. Mariló Montero, who served as the godmother, chose an elegant blue dress with green iridescence. Carlos Herrera arrived with journalist Pepa Gea, whose fuchsia feathered outfit received numerous compliments. The ceremony took place under the patronage of the town’s holy protectress and was remembered for its emotion and refined restraint, firmly establishing itself as one of the main events of the Andalusian autumn.
