Àngel Llàcer revealed on El Hormiguero that he broke his arm while filming 'Congelados'. The presenter had to continue working, concealing his injury from viewers. The incident highlights the risks behind the scenes of Spanish TV.
Àngel Llàcer, well-known Spanish presenter, faced an unexpected setback during the production of his new show 'Congelados' for LaSexta. While filming, Llàcer suffered a broken arm, an incident he later recounted with humor during his appearance on El Hormiguero. The injury occurred as the song 'Forever young' played on set, a moment that has since become a talking point both for its suddenness and for how Llàcer managed the aftermath.
Despite the seriousness of the accident, Llàcer continued to work on 'Congelados', choosing not to let the injury disrupt the show's production. To avoid drawing attention to his condition, he kept his hand in his pocket throughout much of the filming, maintaining the illusion of normalcy for viewers. This improvisation allowed the program to proceed without interruption, even as he underwent recovery.
During his interview on El Hormiguero, Llàcer demonstrated how the incident unfolded, recreating the moment for the audience. When 'Forever young' began to play in the studio, he climbed onto the table and danced, echoing the circumstances of his original accident. This time, however, the performance ended without incident, drawing laughter from the studio and viewers alike.
Such incidents underscore the physical demands and unpredictability of live television, where presenters often continue working despite injuries. In Spain, TV productions like 'Congelados' and 'El Hormiguero' are known for their dynamic formats and live elements, which can increase the risk of on-set accidents. According to industry data, minor injuries are not uncommon in entertainment programming, though most are managed without affecting broadcast schedules. Llàcer's experience highlights both the resilience required in the industry and the behind-the-scenes challenges that rarely reach the public eye.
