Disparate Pomodoro brings Creduto Morto to Madrid for five performances in October and November. The show turns a forced-marriage plot into a physical comedy rooted in Italian theatre.
At Teatro Salto Escénico in Madrid, five performances are scheduled for 2, 9 and 16 October, then 6 and 13 November. The venue is at calle Granada, 10.
Flaminia and Horacio are in love. Their future is threatened by a decision made over their heads. Flaminia's parents want her to marry an old man. That is the setup.
Creduto Morto draws on the tradition of Italian theatre from the 15th century. Masks, physical skill and expressive performance carry much of the action. An independent Spanish publication describes it as a new comedy by the Disparate Pomodoro troupe. The production is recommended for audiences over 12 and runs for approximately 90 minutes.
Creduto Morto — новая комедийная работа труппы Disparate Pomodoro, обращающаяся к традиции итальянского театра XV века.
The Madrid run continues the show's path through the capital. Its central tension stays clear. Two young people want to build a life together, while their parents arrange a marriage with an elderly suitor.
The staging does not rely on an elaborate plot. Movement and masks take the story into the world of the Cinquecento. The approach keeps the comic conflict accessible to a broad audience. The conflict stays simple.
Cristian Torrero and Ricardo Jiménez direct the production. The performers are Cristian Torrero, Ricardo Jiménez, Belén Rubio, Ailén Amicuzi, Alaitz Catalá, Daniel del Olmo and Cristina Vidal. Independent Spanish coverage also confirms these production details.
Доступное независимое освещение подтверждает мадридский контекст показа как часть расширения присутствия труппы на современной сцене. При этом отдельного официального анонса театра или муниципалитета с дополнительными сведениями о продаже билетов, точных условиях показа или комментариях организаторов в найденных материалах нет.
The project first developed through trial performances at Centro Cultural Clara del Rey - Museo ABC. It later appeared at Centro Cultural Buenavista, the sala Salto Escénico in Madrid and Teatro Municipal de Iglesuela del Tiétar.
Madrid's cultural coverage has also recently included Gonzalo Suárez's farewell as part of the capital's wider arts agenda. The company is now adding another Madrid run to its circuit.
For Disparate Pomodoro, this is more than a one-off premiere. The troupe is building its presence in contemporary theatre while keeping comedy at the centre of its work. The body remains one of its main storytelling tools.
Creduto Morto links a familiar marriage obstacle to a performance style built on masks and movement. Five Madrid dates give the production a clear local run. The show brings the Cinquecento into a contemporary Spanish venue without losing its physical energy.
