On Wednesday evening, the National Art Museum of Catalonia (MNAC) in Barcelona hosted an event that fans had been eagerly anticipating. The Spanish singer Rosalía chose this museum for a private launch of her new album Lux, drawing hundreds of fans and well-known guests. Starting at eight in the evening, a line of lucky attendees who had won invitations through the artist’s official website formed at the entrance.
Inside, guests found an unusual atmosphere: the vast Oval Hall had been transformed into a stage, where the singer appeared amidst billowing white sheets rising behind her and doubling as a screen for displaying song lyrics. This design emphasized the mystical, almost religious aesthetic of the night—an unexpected twist in Rosalía’s work following her previous album Motomami.
Mystical style and surprise guests
The evening stood out not only for its musical program but also for its style: many guests chose outfits inspired by monastic themes—long skirts, scarves, voluminous sleeves. Among the invited were renowned musicians, actors, and members of Spain’s cultural elite, including Estopa, Amaral, Amaia, Guitarricadelafuente, as well as Rossy de Palma, Paco León, Berto Romero, Samantha Hudson, and Noemí Galera. The presence of so many celebrities heightened the exclusive feel of the event.
Despite all the tracks being leaked online just hours before the event, fans chose to wait for the official listening session. Many shared their expectations and discussed the only previously released track, Berghain, recorded in collaboration with Icelandic singer Björk. The atmosphere in the hall was filled with anticipation and lively discussions about the possible meanings behind the new album.
A new chapter in her career and the public’s reaction
Lux proved to be a real experiment for Rosalía: this time, she embraced orchestral sounds and mystical themes, setting the album apart from her previous work. Critics are already calling the release a bold move, noting that the singer once again breaks the boundaries of pop music. The promotional campaign drew particular attention, starting last fall with a performance on Gran Vía in Madrid that provoked a heated reaction from locals and even criticism from the city’s mayor.
The evening ended on a high note: guests and fans left the museum deeply impressed by what they had seen and heard, discussing the unexpected musical choices and visual elements. For many, the event was more than just a concert—it was a true cultural moment, opening a new chapter in the history of modern Spanish music.
