
Isabel Preysler has long been regarded as an undisputed symbol of elegance, and every public appearance she makes sparks keen interest. In the 1960s, she came to Madrid intending to study international secretarial work, but fate had other plans. Her acquaintance with Julio Iglesias, whom she married in 1971, dramatically changed her life. From that moment, her biography became public domain, and for more than half a century, the press has chronicled her life, including her marriages, divorces, and family affairs.
Her personal story is closely intertwined with the names of influential men: Julio Iglesias, Carlos Falcó, Miguel Boyer, and Mario Vargas Llosa. Despite constant media attention, Isabel has always managed to maintain an impeccable public image, remaining poised and refined, while carefully guarding her private life. Recently, her memoir entitled “Isabel Preysler. My True Story” was published, in which she shares intimate details of her journey.
As for her wardrobe, in the early 1970s she favored fitted dresses, silk blouses, and pencil skirts. Her outfits reflected the influence of Jacqueline Kennedy, which contrasted with the bohemian trends popular at the time. Her 1971 wedding dress was a testament to her commitment to restraint and classic style, with neutral tones prevailing and minimal embellishments.
After her relationship with Carlos Falcó, her outfits took on a stricter and more structured silhouette. She began to trust her wardrobe to such masters as Valentino and Oscar de la Renta. During her marriage to Miguel Boyer, her preferences shifted toward modernism and minimalism. She often chose sharp black-and-white combinations and favored brands like Carolina Herrera and Chanel.
With the turn of the new millennium, Isabel finally cemented her status as a paragon of taste, becoming the face of renowned brands such as Ferrero Rocher and Porcelanosa. Her evening dresses caused a sensation at iconic events, such as the gala dinner in honor of King Juan Carlos and Queen Sofía in 2007, or the Moët Chandon anniversary in 2011.
After the death of Miguel Boyer, Preysler withdrew from public life for a while, but returned to the spotlight in 2015, appearing in public with writer Mario Vargas Llosa. Since then, she has resumed an active social life, showcasing polished and carefully curated ensembles. Her wardrobe is dominated by neutral tones and the works of designers such as Elie Saab and Ralph & Russo. Among her most memorable outfits of recent years are a Naeem Khan dress for the 2016 Goya Awards, a design with sheer panels for the Vanity Fair party in 2019, an outfit by Teresa Helbig for the Mujer Hoy 2021 ceremony, a two-piece suit for the Moët Chandon celebration in 2022, and a striking red gown by Redondo Brand at the Elle Style Awards 2024.












